“Flores Ciegas – Blind Flowers” (EXCLUSIVE) Interview with Rosa Delgado Leyva

-Who is Rosa Delgado Leyva?

Multidisciplinary artist, teacher, writer and director of cinema. She was born in Barcelona and lives in the city of El Prat de Llobregat. She grew up in her mother’s hairdresser and learned the job helping her mother on Saturdays. From the age of 18 she combines too her studies with other jobs, as stewardess. Her passion for arts, painting and photography led her to a degree in Fine Arts, specializing in photography, cinema and video at the University of Barcelona. She doctored in Audiovisual Image and is author of the cinema book “The Futuristic Screen (Méliès-Chomón)” ed. Cátedra. Madrid 2012, focusing her thesis on the futurist imaginary represented in primitive and classic cinema. She is a high school teacher of draw, audiovisuals… since 2000 and film director of two main short films, the second Blind Flowers (2022) is now circulating around festivals, and the previous one, Oh the Chacho well he knows (2017) won numerous awards and recognitions in Latin America, Cannes, Berlin, Austria…, and especially in Italy. She hopes one day can get a feature script out of the drawer.

-What inspired you to become a filmmaker?

When I was studying the second year of technical architecture in Barcelona, there was in the same building a dark room for developing black and white photography. The director of architecture asked us if we wanted to learn it. A group of students enrolled in the course. But we needed a reflex camera. It coincided that I received my first salary and I spent it entirely to buy one. I enjoyed that experience so much that I decided to change studies to Fine Arts to specialize in photography, cinema, and video. So, the origin of to become a filmmaker comes from my passion of the analogy photography in black and white.

-Do you think the cinema can bring a change in the society?

The relationship between art and society has always gone in both directions throughout history. Cinema offers the possibility of uniting, in a certain way, all the arts in a global and choral format, which makes it to have a power of communication and excite more directly and expanded to the public. The themes in cinema drink from society constantly, welcoming arguments from it and turning them again from subjective perspectives that are then interpreted freely by audience. I believe that cinema contributes to changes through these multiple individual interpretations that when they interfere together can be reflected, besides to the posterior cinema, in many other areas of humanity, such as education, the environment, immigration, the economy …, cinema can influence even music, fashion, other arts and stiles of life… They are small individual changes that, as if by contagion, are going defining the general changes in the society. And the independent cinema, here, has their own words to express, own visions since the free individual’s perspective out the frame, without the contamination of the interests of the markets that focus their investments, forcing a corseted way of creating, thought only on generating box office sales. In my opinion, the independent cinema is the most capable of changing the course of things.

-What would you change in the world?

I would change too many things. In this sense it is easy to give up out of helplessness. I value all those who strive to express themselves in this medium without help. If we don’t enter festivals everything stays at home, but we must not get frustrated, we must keep trying. There is a premise superior to everything, respect for the other, it doesn’t main wherever the person is born, whatever their family, our society must be able to give the same opportunities to everyone.

When I was a child, my teachers told me that in the past civilizations fought for territories and wealth of others, they entered wars to reach them, but all that was already part of the past, at less in occident world, because we had evolved. Apparently, they never thought, and I less that in the twenty-first century we had to revive the barbarism. I recommend you to watch the movie “Things to come” by William Cameron Menzies (London, 1936), written by H. G. Wells, if they woke up now…!!! Or pay attention to the final scene of 2001, where the protagonist character is in a bed in his last moments of live contemplating classic art in a cosmic room; perhaps our wise people of the past have something to announce to the future, seems that we have done something wrong, and for this the main character turn to born again, to bring a better world, to give another opportunity to the civilization. But we haven’t learned. So difficult is live in peace? So, I would create a world government that would be responsible for preventing any war and maintaining peace in all the planet. Surely, they were going to have a lot of work!!

Where do you see the film industry going in the next 100 years?

Cinema can unite all the diversity and multiplicity of civilizations from end to end of the world, today, thanks to new globalizing technologies. There is a barrier to break, the south cannot continue to look at the northern hemisphere as paradise, because it is not. And the North cannot continue to look at the southern hemisphere as poor submissives to an uncertain future that leads them to emigrate through seas of death following the false dreams that the northern screens sell them. I see a future where the cinema independent and territorial cinema can show their visions and individual perspectives to the world. After covid the festivals have survive thanks to online platforms, and now they try to return to alive screenings where the physical experience allows meet people again. The contact, to meet people of all parts of the planet and live this experience can’t bellow only to the elite festivals… We have a mission, to be possible people around world who make independent cinema can the option to express, meet togethers, learn one’s to the others. When the industry of music arrives to the houses by internet, alive concerts had a success explosion. With the cinema, the future will be, by one hand, the technology immersive, including touch and smell in movie theatres, this is what the industry of Hollywood I think will follow to persist. But by other hand, the future will be in the meeting festivals alive, the same has successes with the concerts. Physical events where the culture of cinema offers knowledge that foster rich relationships between people. While the commercial industry will invest to offer an increasingly immersive cinema, trying to practically copy real life, perhaps public administrations, even, will join in offering a live cinema culture with more creativity. I think the organizing members of all kinds of festivals, independent filmmakers, producers, technicians, actors, actresses…, it will play an important role in the future society. Because the path of television platforms is already conquered, it has become a video store and does not have much more to go, it will continue to live with other roads that will still walk. The humanity of the future, in my opinion, can get tired of so much individual screens and virtual world, and there will come a time when sharing real encounters will be greatly appreciated. And the opportunity to live these experiences should not belong only to the famous elite of cinema.

“Raok” (EXCLUSIVE) Interview with Anaya Kunst

Who is Anaya Kunst?

 Anaya Kunst is a timeless composer, ethereal vocalist and filmmaker passionate about elevating the human spirit through the power of music, image and the universal vibration of love and peace.

-What inspired you to become a filmmaker?

Since childhood I used to tell people that I would be a Hollywood Artist and filmmaker. My father used to make pictures and films with a Canon camera.And I was delighted to watch and to perform as an actress. In fact I did Drama School besides my education in music, lyric singing, computers, ballet dancing and Olympic gymnastics.My other field of interest is cosmo history, philosophy and galactic subjects.And one day I was filming my colleagues at Midem festival in Cannes, and they asked me why I was doing that and I simply answered: “ I am training to be a movie Director “. And it happened!

-Do you think the cinema can bring a change in the society?

Cinema is an integrated art and can change people for better or not.

Universe moves, perception of this movement and vibration in the impermanence is desirable to connect and the heart chakra shows that connection. When people watch a movie they almost live all what is  there. When people watch a movie they almost live all what is there. And Cinema for me is a powerful art to support people in change.

-What would you change in the world?

 I would love if people would develop the ability of perception of the universe and their surroundings and other people around them, so they would not be blind anymore and they would be an enlightened being living in love and sharing love. That’s what we are: Love.

-Where do you see the film industry going in the next 100 years?

With the advance of artificial intelligence and other sofisticated techs, I think it will be much easier to direct and to produce a film with lots of resources that we still not have for the moment. As the universe is infinite, so is our imagination and ability to create too. I believe that wonderful things and opportunities of creation will happen in the  next few years. What is 100 years in front of Eternity!!!

“I see the film industry becoming more independent-focused” (EXCLUSIVE) Interview with Colin Denhart

-Who is Colin Denhart?

Colin Denhart is an award-winning independent filmmaker and television producer based in
Indianapolis, Indiana, USA. His debut feature film Sister has been in film festivals worldwide
including countries such as the United States, Spain, India, Italy, and France, receiving accolades for Best Independent Film, Best Director, and Best Actress (Vasudha Krishnamoorthy)
among others. Sister is a black-and-white spiritual horror film about a nun haunted by evil
spirits and incorporates real-life haunted locations in the production. Outside of Sister (and its
sequels in post-production), Denhart has produced several short films and music videos. He
recently has delved into songwriting, collaborating with the R&B artist Shakeeda on the song
“Black Widow,” which just won the Gold Awards for Music Video and Original Song at the International Gold Awards in New York.

-What inspired you to become a filmmaker?

I have been fascinated with film and filmmaking’s creative aspects from a young age. Growing
up, my family and I watched many great movies, and I saw them as the ultimate audio-visual
medium for experiencing a narrative story. I would play with my action figures as a kid like I
was the director and the toys were my actors. When DVDs were the popular medium for
watching films, I would study the behind-the-scenes features to learn how movies are made
and listen to audio commentaries to learn the advice filmmakers and actors would give on the
audio tracks. On “future career” day in middle school, I dressed up as Steven Spielberg and
explained his film work and my desire to be a successful filmmaker just like him when I grew
up. I studied filmmaking and photography in high school and college where I developed my
artistic skills and made some of my earliest film projects, some of which won awards at student film festivals.
After graduation, I got my first job at a TV station in Indianapolis, and when I wasn’t working, I
made music videos with my close friends Jordan and Adrian for their rock band Borracho
Caddies in their garage (kind of like how Steve Jobs started out with computers). I went on to
make indie short films including a counterculture drama called “Double Cloud Nine” (2016), a
sci-fi mystery “Caïssa” (2017), a sci-fi thriller “The Girl in the White Room” (2017), and an animated short “Halloween Cat” (2018). These shorts were featured in various film festivals to
great success. Around this time, I became friends with the folk-rock band Ross Hollow and
produced several music videos for their songs. I also became reacquainted with my film
school classmate Anza, who has become an internationally successful pop singer-songwriter,
and the two of us have collaborated together on projects, and she has become one of my
closest friends.
Once I had several short films and music videos under my belt, I felt it was time to expand my
filmography to feature-length films which led to the development of my first full-length spiritual
horror film Sister, which has had more success than I could ever imagine. I was going through
a theological program at the time of writing the script for Sister in the summer of 2019, so I
incorporated some of the biblical ideas and concepts I was studying at the time into the story.
I also was undergoing the Transcendental Meditation Sidhi program at this time as well, so
the creative ideas that came about through meditation also were key in the development.
Every night in the middle of the night (I worked a late shift), I would go jogging and listen to
scary songs to put me into the appropriate mindset for writing a horror film. I also was re-
searching the haunted history of Indianapolis, such as murderous cult leader Jim Jones, serial
killer H. H. Holmes, and murder victim Sylvia Likens, and I incorporated some of the real-life
locations related to these people into the film, which proved to be quite haunting during filming, especially a ghostly experience outside Jim Jones’ former church as window curtains
were moving when no one was present in the building.
I met actress Vasudha Krishnamoorthy when casting the film and wrote the main character
Sister Jowi to better fit her Indian background. Vasudha is an incredible actress, and I enjoyed
her warm, positive presence on the set. She always would come up with creative suggestions
while filming and showed me how I can be a better director to get the best performance out of
her and the other actors. Other actors include my Freemasons Lodge brothers Matthew Davis
and Jody Fedor, local Indianapolis talent Katie Harbridge, Joshua Scantland, Jada Bueller,
and Mauricia Cortez, and most prominently, pop star Anza in the role of the deity Sophia.
We started filming at the beginning of 2020, but the COVID-19 pandemic put a halt on production for some months. We initially thought we would have to cancel production or edit what
we had already shot as just a short film or demo film, but luckily we were able to continue filming that fall once health conditions were safer. We completed principal photography in November 2020, and then I spent most of 2021 editing the film and adding special effects, with
the demon creature designed by my former high school classmate Derrick Childers who
makes props professionally in Hollywood. We shot and edited the demon sequences in a similar way to how George Lucas did the spaceship and alien effects in the original Star Wars. I
also recruited music composer Kunda Yu to score the film, and his spectacular soundtrack
definitely adds to the eeriness of the film. The film first screened in November 2021 at the
Madrid International Film Festival where it won best independent feature film and has since
performed well at film festivals around the world. Sister has been my greatest film accomplishment thus far!
Since completing Sister, I have collaborated closely with Vasudha on multiple short films and
an indie-comedy feature film currently in production called Frieda from Attica. We also have
shot a sequel to Sister and a third film, both in various stages of post-production, with talented
up-and-coming stars Andi E. and Gabrielle Bousum joining the main cast as new nun characters. They all have been an absolute pleasure to collaborate with, and I am beyond excited for
the prospects of these films and our future projects to come!


Do you think cinema can bring a change in the society?

Cinema absolutely can bring about change in society, especially in the medium’s ability to
move and reach viewers on a deeper level. A film can make audiences feel one way or another about a subject matter and influence how they perceive that subject in real life or get
them interested in exploring it further. One of my hopes with the Sister films is that they will
inspire viewers to explore the deeper spiritual themes of the series much like how The Exorcist got audiences interested in the esoteric aspects of Catholicism or Jurassic Park got audiences interested in dinosaurs. A good movie also can uplift an individual making him or her a
better person. One of the overall themes of Sister is how inner light can overcome outer darkness, and I really hope audiences take that message with them when they see the film.


What would you change in the world?

What I would change in the world is the overall state of happiness and the creative abilities of
individuals. Society is filled with too much divisiveness and hate for one another, making it difficult to solve problems or build up creative endeavors. It is necessary that we as a people
strive to uplift humanity by creating as much love and happiness as possible. In terms of the
film world, mainstream movies seem to conform too much to the trends of the time instead of
being original works. The film industry needs to focus on the independent works of creative
individuals or small groups rather than the output of big corporations/film studios (i.e. factory
filmmaking).

-Where do you see the film industry going in the next 100 years?

The film industry is constantly changing and evolving. Look back 100 years ago, and see how
far the film industry has advanced! Audiences and filmmakers in 1923 likely would never
dream movies would get to the state they are in today. Advances in filmmaking technologies
definitely have allowed low-budget independent creators the ability to make high-quality films
that used to be made only by big Hollywood studios just a few years ago. I see the film industry becoming more independent-focused with it being easier than ever for indie artists to get
their work created and shared with the world. Regardless of what happens to the film industry
over the next 100 years, I hope my close collaborators and myself are positive contributors to
the medium. I see us as part of a greater movement in the film industry to put quality feature
films in the hands of independent creatives instead of the Hollywood system. I am excited to
see where our filmography goes and what other creative indie filmmakers make as we revolutionize the concept of what filmmaking can be. The possibility are endless!

“Where Do We Go From Here” (EXCLUSIVE) Interview with Darion Trotman

-Who is Darion Trotman?

This is both a daunting and exciting question. Darion Trotman is a work in progress. He is an artist, a husband, a son, an uncle, a friend, and a brother. He is a person full of flaws, but also of great beauty. He is quiet but learning the power of his voice. He is driven by curiosity and the desire to understand himself and those who live on this earth with him. He is appalled and utterly in love with the world he lives in. Every day, I discover or rediscover something new or old about myself and the world around me. That’s what I hope to do as a filmmaker – share these findings through my films, like puzzle pieces forming and putting myself together piece by piece, film by film.

-What inspired you to become a filmmaker?

I’ve always watched films since I was a kid. I have fond memories of spending hours with my mum watching countless films of all varieties, being ensnared by the escapism of the moving frame. I followed the characters and their choices religiously. Films were my books, my great teachers about the world. I always wanted to be a storyteller in some facet, and films have been the main window through which I see that possibility.

-Do you think cinema can bring a change in society?

I believe humans and the choices we make will bring the only change in society. Films do an incredible job of highlighting a path or possibility that we could take while showing us our past mistakes and triumphs. So while I don’t believe they will specifically change society, I do believe they have great power in showing us a way to make that change we seek a reality.

-What would you change in the world?

I would change our individual comfort. I would make it so that we feel and understand the discomfort of others. Maybe then we would want to be a part of the necessary global changes to truly see peace in our time. Our desire to remain comfortable in our own lives only protects “us” and blocks us from truths right in front of our view. We need to get uncomfortable so that we can find communal well-being that we can all share and experience equally.

-Where do you see the film industry going in the next 100 years?

Film is art, and art is the archiving of the entire human experience. This is an essential element for us as a species. So, in 100 years, I still see it being an integral part of our lives, but perhaps the way in which we consume it will be different. I just hope that in 100 years, we can get away from being so worried about how much capital films will bring us over a weekend and get back to expressing ourselves, starting conversations with one another about this life through the form of cinema, and adding our individual experiences to the collective pot.

“Manifesto” (EXCLUSIVE) Interview with Elena D. Clark

-Who is Elena D. Clark?

Actress, independent filmmaker and entrepreneur. I came to the States to entertain people after I sold my law firm in Russia. I’m a winner of the “Best actress” award in Sweet Democracy Film Awards in 2023, and “Best Female Actor” in Manhattan Rep’s Stories Film Festival in 2021, both for the role of Marianne in a short film “Manifesto“. 

-What inspired you to become a filmmaker?

My objective is to share my story and historical insights, which I learned growing up in communist Russia, with the rest of the world through motion picture, so we all can learn from those who lived before. 

I’m on a mission to inform people through the film how to avoid the worst mistakes in life management and be financially free, and how the wealthiest men on our planet use their knowledge about Marxism and Communism to remain rich. 

With this, I interview people who succeeded in artistic expression and finance, on my podcast “Boost your creativity and bank account with Elena”, which is a two-time winner of the “Best Podcast” award in 8 & Halfilm Awards and Morgana Film Festival in 2023. 

-Do you think the cinema can bring a change in society?

If more people find their voice and share their stories with others with honesty, then yes. Cinema is an audio-visual tool that can stimulate the masses. Cinema shares invaluable experiences and priceless  historical lessons, whilst entertaining people at the same time.

-What would you change in the world?

My hope is to witness a true development of the free market economy, free speech, and the fundamental freedoms and rights that we are all born with.

-Where do you see the film industry going in the next 100 years?

Independent film and personalized cinematic work are becoming more popular, and more independent platforms are sharing that work. I see a segregation in the film industry versus monopolization in the film industry. Technology, increased access to high-quality cinema equipment, and education on how to make a professional film, are all factors that encourage people to express themselves, their passions and their messages through this incredibly powerful and provocative medium. 

It is my view that smaller groups of independent filmmakers will eventually take over the attention of a broad audience, because audiences will have more options and be able to join networks of independent filmmakers. Filmmakers will speak with their own voices and share real stories of ordinary people as opposed to a controlled narrative to the mainstream and made up stories about unreal heros created by Hollywood in the name of profit and power, rather than with love and passion. 

I see a greater level of honesty and diversity in the film industry, unless the global elite attempts to monopolize it. I see that more individuals will speak their truth through independent visual platforms for the good, or at least the stimulation of all. I put my heart into the work I love, with a sincere wish for the good of all, as we choose that the goodness of history repeats itself – and we learn from the rest. 

“I would make the world a kinder place” (EXCLUSIVE) Interview with Nahyr Galaz Ruiz

Who is Nahyr Galaz Ruiz? 

I am a multi-hyphenate filmmaker whose short films and scripts have been steadily causing ripples in the festival circuit. I am known for writing characters who reflect the duality in my bi-cultural experience as a Latina raised in sunny San Diego, interwoven with dramatic storylines pertaining to impossible love or family dynamics. I believe that art is the vehicle by which we convey truth and it is my mission to convey truth as I see it through my films and scripts. 

My debut feature screenplay, Dancing with Plato, achieved recognition at numerous film festivals including “Best Drama Screenplay,” “Best First Time Screenwriter,” and “Best Screenplay.” Additionally, I have received numerous awards including “Best Actress in Short,” “Best Director,” “Best First Time Director,” and “Best Student Short,” for my debut short film Everything I Never Said. My sophomore short film, El Encuentro, received “Best Original Story,” “Best Actress,” “Best Actor,” and “Best Script in Short.” My most recent film, Platonic Love, was recently submitted for this year’s round of film festivals and has already received awards for “Best Actress,” “Best Supporting Actor,” and “Best Supporting Actress.” It has also been nominated for “Best Original Score,” “Best Original Music,” and “Best Director.”

I am the recipient of the National Association of Latino Independent Producers’ Emerging Content Creators Scholarship for two consecutive years and have been one of nine writers selected for the Script Development program at the Female Eye Film Festival in Toronto 2022 and 2023.

In addition to being a filmmaker, I am also a dance educator and choreographer, and advocate of dance education. It is my calling to use storytelling and filmmaking to elevate Latinx voices and representation in every facet of the industry.

-What inspired you to become a filmmaker?

I’ve always had a heart for storytelling and I believe I was sort of born a director.  When I was little, I would rewrite fairytales with my own spin on them, especially if I didn’t find the ending to my satisfaction. My grandmother worked for a daycare facility and I would help manage the children by organizing everyone into elaborate “productions” of Beauty and the Beast and The Lion King. As I got older and I found dance, I wasn’t satisfied with simply dancing, I wanted to create my own dances. So I began experimenting with choreography as a teenager. Eventually, that led me to found a dance company and I took that experience to film. Storytelling and directing to serve the story have always been at the forefront of my artistic pursuits. 

-Do you think the cinema can bring a change in the society?

Absolutely. I believe with cinema we have a unique medium through which we can communicate with our audience. Because cinema can entertain and most people go to see films to escape, be entertained, or feel something; our audience places themselves in our hands completely open to receive. Because of this, cinema has the ability to stir emotions in the viewer, to spark thought, to catalyze a more profound relationship with the message the filmmaker wants to express.  That message, that thought, that emotion; those stay with the audience and can change society. As a filmmaker, I feel the weight of that responsibility. 

What would you change in the world?

I would make the world a kinder place. I wish for a world in which we recognize our common humanity over our differences; where the lines and borders we’ve drawn become obsolete because we recognize our shared humanity and so we want to lift each other up.I often look at how children play in a park; it doesn’t matter whether they know each other or not; they just play together, problem-solve together, and work toward something together… without ego. I wish as adults we could do that. I wish we were kinder to each other. 


-Where do you see the film industry going in the next 100 years?

I don’t know that I can accurately predict where the film industry is headed in the next 100 years. What I do know is that we’re currently at a crossroads in film. Especially in mainstream Hollywood; there is a shift happening.                    In regards to representation and inclusivity in film, while we have a long way to go, it is exciting to see more of ourselves on the screen. I’m excited to see more of my gente represented on screen; to see our stories told. To see more BIPOC people, more LGBTQIA people, more talent over 40 represented… Those stories matter. To see the industry making strides to get these stories out in the world; stories that reflect the diversity that lives in society…. that matters. Representation matters. So, I hope that these strides mean the film industry will grow to a place where inclusivity and positive representation of marginalized communities are just a given in the next 100 years!

“가인” (EXCLUSIVE) Interview with 원성호 Seongho Won

-Who is 원성호 Seongho Won?

Born in 2001, Daejeon, South Korea. the eldest of two sons of family. I’ve been holding a camera and taking pictures and videos since I couldn’t even remember. I liked this job, so I studied Visuals at Gongju National University’s Department of Visual Studies and chose cinematography as my sub major. Now I’m a 22-year-old cinematographer and director holding a pan bar and shouting, “Camera is Rolling!” I like classical music, so I listen to classical music more than watching movies and have been playing the flute for 10 years as a hobby. I won the Best short film category, best drama & arthouse film with my short film Gain.

-What inspired you to become a filmmaker?

I imagine becoming more successful in the future and becoming a cinematographer who have a request by many Hollywood directors like Roger Deakins. With that imagination, I imagine that I later get the title or nickname like Roger Deakins, or Rembrandt who uses light and shadow well. Imagining such a successful future allows me to continue making movies.

And this moment also inspires me to do a filmmaking. The experience of being able to win awards, conduct interviews, and let the world know about me allows me to continue this journey. I hope more moments like this will come.

-Do you think the cinema can bring a change in the society?

Just as books have changed the world, I believe movies can change the world.

What would you change in the world?

I want to eliminate discrimination from ignorance. Everyone deserves dignity and respect.

Where do you see the film industry going in the next 100 years?

The film industry will continue to develop. More and more great works by directors will come out. And in the future, it will become a film industry that makes immersion and representation more realistic with the development of technology.

“Art must contain emotion or produce emotion” (EXCLUSIVE) Interview with Sanela Prasovic Gadzo

-Who is Sanela Prasovic Gadzo?

I am a person who firmly believes that there must be justice somewhere along our life’s path, and I fight for that justice and truth. I was born in Sarajevo, the capital of Bosnia and Herzegovina. I graduated in journalism, obtained my master’s degree in public relations, and I am currently completing my PhD in communication sciences.

Since 1991, I have been working in journalism, and I have spent most of my career working for the BHT – the national broadcaster of Bosnia and Herzegovina. During the war in Bosnia and Herzegovina (1992-1995), I reported from the front lines as a war correspondent. For years, I was a correspondent from the Tribunal for the Prosecution of War Crimes in The Hague, and reported on the war in Kosovo in 1999.

Throughout my journalistic career, I worked as an editor, reporter, war correspondent, and author/director of documentary films. For my work, I have been awarded multiple times; in 1999, I was named the best TV journalist in BiH, and in 2015, I was named the best journalist in all categories in BiH.

My documentary film “Banjalučka nepravda” (Banja Luka injustice) also won an award in 2004. I have produced and directed over 30 documentary films.

In addition to my love and dedication to film, I am also devoted to academic work, which also makes me happy as I believe it is important to pass on knowledge to young people.

I am the mother of two daughters.

-What inspired you to become a filmmaker?

My entry into the world of film happened spontaneously in the 90s when I was engaged on the national broadcaster to make a series of documentary films. Compared to the pace of work in television journalism, working on documentaries brought immense satisfaction as I had the time to slowly develop the script and directorial explication.

Entering the world of documentary film was love at first sight for me. And that love has continued with the same intensity for over 30 years.

My latest documentary film SONJA is currently on its festival journey, and I am infinitely happy that this story has been recognized by colleagues at home and abroad, and thus awards are coming in. The documentary film SONJA was declared the winner in the documentary film category of the Future of Film Awards film festival in North Macedonia in June 2023. In July 2023, it also received two awards in Rome, Italy. It was declared the winner – the best documentary film, and I was chosen/awarded as the best director of the festival. This is the 8 & HalFilm Awards.

The documentary film SONJA is currently included in the official selections of exceptional and important film festivals in Bosnia and Herzegovina, as well as abroad. Yesterday I received news that it is in the official selection of the JAGRAN FILM FESTIVAL in India. Then it was also selected by the Frida Film Festival in France, Stockholm City Film Festival, then the Balkan Panorama Film Festival in Izmir, Turkey, and a festival in Budapest, etc.

I am happy that exceptional and renowned professionals from the world of film have recognized the powerful message carried by my film SONJA.

-Do you think cinema can bring about change in society?

I genuinely believe that cinema can bring about changes in society, and I did just that in 2017. That year, I filmed a documentary titled “Power Lies in Truth and Justice,” which spoke about corruption in government, favoring investors, and illegal actions by officials.

As the author and director of the film, I was exposed to terrible pressures and threats, but I did not give up. The film attracted a lot of attention in Bosnia and Herzegovina after it aired, and the illegal procedures were immediately stopped. This is the power of what we can do through making films. And the documentary SONJA carries the message that although the war in Bosnia and Herzegovina was horrible, and although the film’s main character Haris Hastor endured captivity in a camp, maltreatment, and torture, he never stopped believing in life, never lost hope.

Even after escaping from the camp, Haris did not fill his life with hatred towards those who imprisoned and tortured him. He devoted his life to new values and belief in a better future. From that painful period in the war-torn 1992, he emerged and created a normal life for himself and his family. This is a strong message that we should never stop believing, hoping, and encouraging ourselves to step out, to try to make a change.

-What would you change in the world?

I have partly discussed this in the previous answer. In my 32 years of working in journalism and film professions, I am happy that through the reports and films I created and directed, I have contributed to changing things in my country. That’s exactly how I am recognized in the public discourse. And that’s important for the job I do.

-Where do you see the film industry going in the next 100 years?

I deeply believe that the film industry will never cease to be a tool not only for imagination through which we create the world we believe in, but also a tool for engaged film projects through which we convey that the fight for a better world is the path to justice from which we must never deviate. The world will surely look different in 10, 20, 50, or 80 years, but I want to believe that we will not turn art into AI, that we will not lose emotions, and that the films we create will always have value in an artistic sense.

After all, art must contain emotion or produce emotion. If there’s no emotion, then it’s a bad job. In the future, the film industry must be even better, and I believe it will be.

“5 Came Back” (EXCLUSIVE) Interview with Antonio Bourge

-Who is Antonio Bourge?

Antonio Federico Bourge is a film Director, Screenwriter, amateur photographer and storyteller through the art of light sound and colors w my medium of choice motion pictures. Also a brother and loving family man and friend to many people of different backgrounds and experiences, which help me shape my fictional worlds. And US Army Veteran.

-What inspired you to become a filmmaker?

Watching the blockbusters of the 80s and 70s and 90s with my mom on our home television set including but not limited to Jaws, The LionKing, Nemo, Indiana Jones, the first StarWars films, some oddball movies like space-balls, Goonies, and my early childhood friend introducing me to the matrix and more risqué forward thinking films at a young age also including Tarantino’s Kill Bill and IP Man.  

-Do you think the cinema can bring a change in the society?

Yes, only if we allow it and the general public and audiences believe in the stories enough to make a change, big or small, yes.

-What would you change in the world?

Less hate, more peace at living a sublime yet no frills life. 

-Where do you see the film industry going in the next 100 years?

Most likely in a direction we cannot predict, a-lot is changing with new technologies and new doors opening for people of different cultures and viewpoints to share their own stories. Im excited for the next 100 and the 100 after that…

“Artist, Formerly Known as Varona” (EXCLUSIVE) Interview with Slava Ushakov

-Who is Slava Ushakov?

Slava Ushakov is the brilliant director behind the captivating animated series “GINJI,” brought to life by Blanca Pictures studio. But his journey to success began as a talented caricaturist for a newspaper at just sixteen! At twenty, he dived into the world of animation, honing his skills under the guidance of the legendary Alexander Tatarsky at the “Pilot” studio. With his bags full of talent, he ventured to animation giants like Cartoon Network and Nickelodeon in the United States. The legendary Charles Swenson not only became a mentor and teacher to Slava Ushakov in America but also a cherished friend to this day. Now Slava’s a sought-after director, hailed for his amiable nature and unwavering humor. Oh, and did we mention his mantle adorned with over 50 world festival awards? Slava Ushakov, the name behind animated wonders!

-What inspired you to become a filmmaker?

Becoming a filmmaker was a whirlwind adventure for me. The energy and inspiration I absorbed from the legendary ‘Pilot’ studio, thanks to Alexander Tatarsky and Igor Kovalyov, were invigorating. Amidst the seriousness of work, there were also plenty of pranks and laughter. A serendipitous moment occurred in the apartment of a music video producer, who introduced me to a captivating song by an unknown band. Sketches turned into a quirky story, and the journey of filmmaking began. With complete freedom, I followed my heart, infusing characters with ethnic art and surreal elements. It’s my style, and later it’s been adopted in the series ‘Qumi-Qumi’. It was my first significant “adventurous vaccination”.

-Do you think the cinema can bring a change in society?

Absolutely! Cinema, including animation, has the power to bring about meaningful change in society. GINJI aims to be a catalyst for positive impact, departing from traditional sitcom-like elements. Instead, we dive deep into the psychology and storytelling brilliance, surprising and astonishing our young viewers like the works of animation pioneers. Our show goes beyond mere clowning, instilling values that resonate with the audience. Each moment is a delightful revelation, reflecting teenagers’ unique perspectives and bridging the generation gap. Inspired by Pixar’s magic, GINJI seeks to leave an indelible mark on hearts and minds. In this whimsical scenario, I’m fueled by my passion for making a difference through animation. Our goal is to create a magical journey that touches hearts and ignites imaginations, inspiring positive change in the world.

-What would you change in the world?

Ah, life’s not always a carnival of joy, but let’s brighten it up! If I had boundless wealth and endless opportunities, I’d create clinics to fight cancer and blindness, and a sanctuary for elephants, because our majestic friends deserve love. Let’s venture to space, explore the Moon, and take kids on underwater adventures in a submarine! And of course, filmmaking would be my passion, spreading empathy and cherishing every soul. I’d use my power to stop escalating aggression, replacing it with empathy and peace. Let’s build bridges, forge friendships, and embrace our shared humanity. Together, we’ll weave a world of understanding, where peace reigns, and kindness leads the way. Let’s dream big and make this world better, one act of kindness and one captivating film at a time!

-Where do you see the film industry going in the next 100 years?

In the next 100 years, the film industry will explode with imagination, driven by AI and groundbreaking technology. AI-powered filmmakers will craft narratives beyond our wildest dreams. Yet, human emotions and values like love and fear will stand strong, unchanged for centuries. A new generation of storytellers will emerge, using AI to captivate audiences with interactive experiences. But amidst all the marvels, storytelling’s heart will remain, touching souls and delighting all ages. The animation will break free from formulas, leaving audiences in awe with every moment. Brace yourself for a cinematic adventure, where AI and human creativity shape a future that cherishes human values and embraces innovation!